本文从原型批评的视角切入,论述劳伦斯的著名短篇小说《马贩子的女儿》对灰姑娘和睡美人童话原型的模仿与颠覆。小说既与童话故事在情节结构上有着显见的平行关系,又打破了童话中男人拯救、女人被拯救以及男人主动、女人被动的两性关系的旧有模式,充分反映了作者独特的女权主张和女性抵抗工业文明异化的救赎观。小说与童话原型表层的对应和深层的颠覆构成了巨大的张力,并赋予“劳伦斯式”的救赎丰富的内涵与强烈的美学效果。 This essay starts from the perspective of prototype criticism and discusses the imitation and subversion of fairy tales of Cinderella and Sleeping Beauty by Lawrence ’s famous short story “Daughter of Markers”. The novel not only has obvious parallel relationship with the story of the fairy tale, but also breaks the old mode of the male salvation, the woman being rescued and the male and female passive sexual relations in the fairy tales, which fully reflects the author’s unique feminism and women Resistant to Alienation of Industrial Civilization. The correspondence between the novels and the surface of the fairy tales and the deep subversion constitute a great tension and endow the rich connotations and strong aesthetic effects of "Lawrence ’s salvation.