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在新诗史上,“《星期评论》之群”是一个较少被关注的群体,在五四时期国民党人积极参与新文化运动的整体背景下,这批南方“党人”的新诗写作也呈现出相当的历史独特性。本文在特定的历史语境中,分析了该群体写作中“文学场”与“政治场”混杂的现象,及其对诗歌生产、交流、阅读机制的影响,尝试开放“本体”研究的视角,在政治、文化、审美的复杂关联中,重构一种新的文学史叙述空间。
In the history of new poetry, the group of “Weekly Review” is a group that is less concerned about. Under the overall background of the active participation of the Kuomintang in the New Culture Movement during the May 4th Movement, these new poems of the Southern “Party” Writing also shows considerable historical uniqueness. In a particular historical context, this article analyzes the mixed phenomenon of “literary field ” and “political field ” in the group writing, and its influence on the production, exchange and reading mechanism of poetry and attempts to open up the ontology "Research perspective, in the political, cultural, aesthetic complex relationship, to reconstruct a new narrative space of literary history.