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当抗日战争刚刚胜利,解放战争帷幕即将拉开,新中国曙光初露之际,党中央做出用革命进步力量占领电影文化阵地的重大决策。根据毛泽东《在延安文艺座谈会上的讲话》中提出的“二为”方针,周恩来指示从各个革命老区抽调党员文艺骨干充实新中国的电影事业。于是,从宝塔山下、黄河之滨、燕赵大地……,从各革命老区和各大野战军以及其他专业文艺团体调来的大批革命文艺骨干,责无旁贷地肩负起发展新中国的电影事业,让银幕焕然一新的时代使命。他们带着塑造好工农兵形象,拍好革命电影的满腔热情,拥抱新中国的电影事业。在激情燃烧的岁月里,摄影棚带给他们的是难以忘怀的特殊经历。
When the Anti-Japanese War was just victorious, the curtain of the war to liberation was about to start and the new China dawned on the dawn, the party Central Committee made a major policy decision of occupying the cultural position of film with revolutionary and progressive forces. According to the “two for” principle proposed by Mao Zedong in his speech at the Yan'an Forum on Literature and Art, Zhou Enlai instructed to draw cadres and members of the party's literature and art from various old revolutionary bases to enrich the film industry in new China. Thus, from the pagoda hill, the Yellow River, Yanzhao earth ... ..., from the revolutionary old areas and the major field army and other professional arts groups transferred a large number of revolutionary literature and art backbone, shoulder to shoulder the responsibility to develop new China's film industry, so that the screen A new era mission. They embraced the film industry in new China with enthusiasm in shaping the image of a worker, peasant, soldier, and making good use of revolutionary films. In the passion-burning years, the studios bring them unforgettable special experiences.