经常有不少科幻小说把现实世界作为建构故事的基础,或是利用现今科技进行一次未来时空旅程,又或是呈现一个奠基于过去的未来社会。在某些方面,这些小说里对现实的隐喻与对未来的畅想占有同等的分量。毕竟,这有着大量作品可供例证。然而,在由柯·雷克(Kirk Lake)执笔,艺术家谢扎特·达乌德(Shezad Dawood)导演的第一部长片作品《白芒刺目》中,科幻故事本质上似乎就是一个超现实主义项 Often, many science fiction novels use the real world as a basis for building stories, or using current technology to conduct a future space-time journey, or presenting a future-based society that is based on the past. In some ways, the metaphors for reality in these novels share the same weight as the imagination for the future. After all, there is a large number of works available for illustration. However, in Kirk Lake’s first feature film, “White Crab,” directed by artist Shezad Dawood, the science fiction story essentially appears to be a surreal item