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在作为个体空间的同时,明清士人花园出现了开放性的特征。在开放之园中士人如何保持个体之乐?本文通过对明清园记的话语分析,发现士人通过身体实践将自身在花园中转换为陌生人,获得身体与个体之乐,通过身体间性,士人将花园转换成逸出礼法空间的陌生化空间与异质空间。这种异质空间有其脆弱性,礼法空间渗透、支配其间,内部的竞争性话语又不断削弱花园的合法性。但这些话语同时可以被视为行动策略,花园在多义性空间的保护下维持和生产着陌生化空间。成为陌生人,是明清筑园实践的真实动力。
As an individual space at the same time, the Ming and Qing dynasties garden appeared open characteristics. In the open garden, how do scholars keep their own music? By analyzing the discourse of Park Records in the Ming and Qing dynasties, it is found that the scholars convert themselves into strangers in the garden through physical practice and gain the pleasure of body and individual through the body In nature, scholars converted the garden into a defamiliarized space and a heterogeneous space that escaped from the ceremony and courtroom. This heterogeneous space has its own vulnerability. The infiltration of courtesy and prosecution space, dominated by the internal competitive discourse, continue to weaken the legitimacy of the garden. But at the same time these words can be regarded as action strategies, and the garden maintains and produces unfamiliar space under the protection of polysemic space. Become a stranger, is the real driving force in the practice of the Ming and Qing Dynasties garden.