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相声戏剧作为中国20世纪末在后现代与后戏剧影响下形成的一种当代戏剧形式,其富有情节点的相声式语言独白与对话成为可以支撑起整台戏剧的新型后戏剧剧场演出形式。在国内当代戏剧导演不断地尝试和创作下,相声戏剧逐渐发展成熟,其鲜明的语言平面化倾向为中国当代戏剧的发展带来了思考。本文全面的介绍相声戏剧这一具有“中国特色”的新型后戏剧剧场形式,最后综合时代环境、文化环境等方面结合对当代戏剧与相声戏剧的分析,突出论证中国当代戏剧的语言平面化倾向,为这一新型戏剧形式提供相应的理论基础。
As a contemporary form of drama under the influence of postmodernity and post-drama in China at the end of the 20th century, crosstalk drama became the new post-theater theater form that can support the whole drama. Under the continuous attempts and creation of contemporary Chinese theater directors, the drama of crosstalk gradually develops and matures. Its distinctive linguistic flattening tendency has brought thinking to the development of contemporary Chinese drama. This article introduces Crosstalk Theater, a new type of post-theater theater with “Chinese characteristics,” and analyzes the contemporary drama and Crosstalk theater in terms of environment, culture and environment, highlighting the language flattening of contemporary Chinese drama Tendency, provide the corresponding theoretical foundation for this new type of drama.