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通过考察金批《水浒传》中金圣叹所作的批评事实,本文认为金圣叹在《水浒传》的评点中运用了意象批评的方法。本文主要讨论了意象批评方法在金圣叹解释、分析《水浒传》中艺术事实时的重要作用及其得失。运用意象批评,金圣叹对小说的情节结构、叙事节奏等方面有许多独到的艺术发现。金批《水浒传》中的意象批评方法,不仅对文学文本具有独特的解释效用,而且成为一种具有明显特点的范式,对金圣叹之后的中国小说批评乃至文学批评产生了极为深远的影响。
By examining the criticisms made by Jin Shengtan in Gold Medal, the author holds that Jin Sheng-tan used the method of image criticism in the commentary of Water Margin. This article mainly discusses the important role of image criticism method in Jin Shengtan’s interpretation and analysis of the artistic fact in “Water Margin” and its gains and losses. Using image criticism, Jin Shengtan has many unique artistic discoveries on the plot structure and the narrative rhythm of novels. The method of image criticism in “The Outlaws of the Marsh” of Golden Grant not only has a unique explanatory function for literary texts, but also becomes a paradigm with obvious characteristics. It has a profound and far-reaching impact on Chinese novel criticism and literary criticism after Jin Shengtan.