文学的自律、他律问题早在20世纪初就已提出。五四新文化运动后一个时期,文学自律的一面探讨不多,主要是争论他律的应有的方面,以确立新文学的性质与方向,建立新的文学观念,自属文学内涵的应有之义。但自20年代下半期从文学革命走向革命文学之后,马克思主义文学理论与俄国的无产阶级文化派及其余脉的各种文学思想,都被当成无产阶级文学思想介绍了过来,形成了20年代末、30年代初的中国文艺界的多次大争论,造成了文学观念向他律的倾斜与严重的越界。其中的一系列主导思想,后来以权威的形式被沿袭与巩固了下来。 Literary self-discipline, the problem of other laws as early as the early 20th century has been proposed. During the period after the May 4th New Culture Movement, there was not much discussion on the aspect of literary self-discipline, mainly due to arguing about the proper aspects of other laws in order to establish the nature and direction of new literature and to establish a new literary concept. Meaning. However, since the second half of the twentieth century shifted from literary revolution to revolutionary literature, the various literary ideas of Marxist literary theory and the proletarian cultural school in Russia and the rest of it have been introduced as proletarian literary ideas. At the end of the 1920s, In the early 1930s, many controversies in Chinese literature and art circles led to the inclination and severe transborder of the notions of literature to other disciplines. A series of dominant ideas were subsequently followed and consolidated in the form of authority.