明代佛寺壁画善财童子五十三参图像获得进一步发展,新都龙藏寺、邛崃盘陀寺所见长卷式构图,以及蔚县观音殿所见连环画式构图,一定程度地反映了南北方地域特征。龙藏寺者内涵丰富、技艺精良,另外两者则内容简略、一般化制作,它们所处位置及其寺院经济实力决定了各自壁画的质量。明代五十三参图像流行,说明当时佛教界修菩萨行、成就法身的思想依然受到重视,相关题记则表明布施已然成为一般施主追求现实利益的手段,祈求子孙繁衍的动机使得这种图像获得新时代生命力。 Ming Dynasty Buddhist Temple murals Fortune 53 boys and girls to further develop the image, the Longdu Temple Xindu, Qionglai Pan Tuo Temple seen scroll composition, and Yuxian Kwun Yam Temple seen comic composition, to some extent, reflects the regional characteristics of North and South . Longzhai Temple rich in content, sophisticated skills, while the other two are simple, generalized production, their location and the economic strength of their monasteries determine the quality of their murals. The prevalence of imagery in the Ming dynasty shows that the thought of Buddhism was still attached importance to Buddhism at that time, and the related inscriptions indicate that it has become a means by which ordinary donors seek the interests of reality. Era vitality