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福建省素有“海滨邹鲁”之称,戏剧类非物质文化遗产种类繁多,资源颇丰。通过实际走访,不难发现福建省非遗保护工作依然处于起步和探索阶段,存在许多困难和问题。本文以福建省高甲戏为例,分析当下两大主流的非遗保护模式“商业化模式”和“生产性保护模式”的优劣势,通过管理学和人类学等理论探讨戏剧类非物质文化遗产的最佳传承模式,展开福建省乃至全国戏剧类非物质文化遗产“保护性商业化”这一全新传承模式的探索。
Fujian Province known as “seaside Zoulu ” said, a wide range of intangible cultural heritage theater, resources quite good. Through actual visits, it is not difficult to find that non-heritage protection work in Fujian Province is still in its infancy and exploration stage, with many difficulties and problems. Taking Gaojia opera in Fujian Province as an example, this article analyzes the strengths and weaknesses of the current two major mainstream non-legacy protection modes, “commercialization mode” and “productive protection mode,” and discusses the drama through theories of management and anthropology Class intangible cultural heritage of the best inheritance model, Fujian Province and even the national drama intangible cultural heritage “protective commercialization” This new inheritance mode of exploration.