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2.三线交叉中国画构图的整体构成有多种相应形式,三线交叉即为适应于牡丹画的构成章法之一。中国画画兰法,有“一笔长、二笔短、三笔破凤眼”的口诀,这是中国画线性物象结构形态最基本的三线交叉组织法,适应于所有线性形态的物象组织。构图意义上的三线交叉,却是指构图中以线的结构形态体现出的物象组合营造关系,是物象整体形态的概括。也就是说,要把一组物象在整体上作为一条线来理解,而不是指单线的组织而言。但三线交叉的结构组织,与画兰诀的基本规律却是相通的。
2. Three-line cross Chinese painting composition of the overall composition of a variety of corresponding forms, three-line cross is adapted to Peony painting one of the constitution. The Chinese painting of Lanfa has the formula of “one long, two short and three broken.” This is the most basic three-line cross organization method of the linear morphology of Chinese painting, which adapts to all linear forms of object organization. The three-line crossover in the compositional sense refers to the combination of objects and objects represented by the structure of the line in the composition, which is the generalization of the overall shape of the object. In other words, it is necessary to understand a group of objects as a whole as a line, not a single-line organization. However, the structure and structure of the three-line crossing are basically the same as the basic law of painting Lanjue.