创作题材“天下惟东南为最,东南惟吴会为最!”《吴郡二科志》卷首就以自豪的语气,向世人宣告了苏州地区山秀地灵,英才济济的景象。在吴门画派之前,浙派、院体画家一般都服务于宫廷显贵,本人很少隐逸的文人生活体验,所以表现起雅集、文会之类的题材,不免褒衣博带,含有浓厚的庙堂气息。元末隐逸画家的作品虽不乏文人题材,却常以绘景的方式寄意而不直接描写人,情调上是避世、 Creative theme “the world southeast most, Southeast Wu will be the most!” “Wu Jun two subjects” in the first pride tone, to the world declared the mountainous region of Suzhou show, the scene of excellence. Before the Wu School of Painting, both the Zhejiang school and the body painters generally served the palace dignitaries, and I rarely experienced the secular literati life experience. Therefore, the subject like the elegant class and the literary class can not be overemphasized. Temple atmosphere. Though there is no lack of literary characters in the works of the late Yuan Dynasty painters, they often express their ideas in the way of depicting scenery instead of directly depicting people,