在过去对版画艺术的研究中往往出现两种倾向:一种是纯技法的追求,一种是纯理论的探讨。但忽视了版画家在技法表现过程中思维程序的研究和关注,这恰恰是版画最重要的东西。这篇文章中不但证明了版画语言不是纯物化的形式,还包含了精神的、情感的因素。到目前为止,版画语言显然还没有拓展到它的极限,还有很多问题和领域需要版画家们去探讨。版画语言的拓展不但要超越技术层面的思考,也要超越个人局限,使创作具有社会效力。在此有必要说明的是,这里的“生存状态”引发出来的版画技法及版画语言只是我个人的阐述观点,回避传统的版画观念来进行的一系列创作,能够对版画艺术的发展提出新的见解和广阔的空间,而不能对版画艺术语言的发展趋势给出明确的方向。 In the past, two tendencies appeared in the study of print art: one was the pursuit of pure technique and the other was pure theory. But ignores the printmaker’s research and attention on the thinking process in the performance of technical performance, which is precisely the most important thing in printmaking. This article not only proves that print language is not purely materialized, but also includes spiritual and emotional factors. So far, print language has obviously not reached its limit, there are many problems and areas need to explore the printmaker. The expansion of print language should not only go beyond the thinking of the technical level, but also go beyond the limits of individuality to make the creation of social effectiveness. Here, it is necessary to explain that the printing techniques and print language that are caused by “Living Condition ” here are only a series of creations that I elaborate on my point of view and evade the traditional concept of printmaking, so as to put forward the development of printmaking art New insights and vast space, but can not give a clear direction for the development trend of print art language.