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本文通过考察吴伟业与画坛“四王”的交游,从艺术社会史的角度,对明末清初文人生态进行个案研究,揭示“文人”与“文人画”以各种各样的形式互相影响、协同发展的历史轨迹。
This article examines the interaction between Wu Weiye and the “Four Kings” of the painting society. From the perspective of artistic social history, this article makes a case study of the literati ecology from the late Ming Dynasty and the early Qing Dynasty, revealing that “literati” and “literati painting” Various forms of mutual influence, the historical trajectory of coordinated development.