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在《华中建筑》上读到一些读、作者对于此刊的批评、建议、评论及期望等等,亦感这个刊物五年来,颇致力于传播交流国内外建筑理论和各地优秀设计,宣扬了中国传统建筑遗产,对于秦楚建筑文化的发掘、探索以及中国近代建筑史论文专辑的刊布尤具功绩,甚解读者之渴。这一朵他们自称的“小山花”经过五年的风风雨雨,在广大建筑同行中确已植根扬苍。我深信这朵“花”在主办单位的
In “Huazhong Architecture”, I read some of the criticisms, suggestions, comments, and expectations of the readers and the author. I also felt that this publication has been devoted to the communication and exchange of domestic and international architectural theories and excellent design throughout the country in the past five years. It has promoted China. The traditional architectural heritage is particularly valuable for the excavation and exploration of the Qin and Chu architectural culture and the publication of the modern Chinese architecture history essay album. This “hill flower” that they claimed to have passed through five years of ups and downs has indeed taken root in the majority of architectural colleagues. I am convinced that this “flower” is in the organizer’s