自“五四”以来,从冯沅君到庐隐、从萧红到丁玲,“出走”似乎成为女性解放的一个象征性姿态,而对情爱、性爱的大胆追求,也似乎是一代新女性确立自我、谋求解放的必由之途。但是就在四十年代初沦陷区的上海女作家里,却出现了一种引人注目的现象,那是一批出生于二十年代、接受了更完全的新式教育的年轻一代,以“禁欲、博爱、自立”,提供了女性解放的另一路径;并以对世俗爱情的拒绝和自我道德完善的强烈诉求,赋予此期最受重视的“日常生活永久人性”以新的内涵。这批作家因大多就学于东吴大学,以致文坛一时有“东吴系”的美称。 Since the May 4th Movement, from Feng Yuanjun to Luyin, from Xiaohong to Ding Ling, “leaving” seems to have become a symbolic gesture of liberation of women. However, the bold pursuit of love and sex also seems to be a generation of new women who establish themselves and seek The only way to liberation. However, in the Shanghai women’s writers in the occupied areas in the early 1940s, there was a striking phenomenon that emerged among a group of young people who were born in the 1920s and accepted a more complete new-style education. Taking “abstinence , Fraternity and self-reliance ”provide another path for the liberation of women; and give new meaning to the most valued“ permanent human nature of daily life ”with the strong appeal of secular love and perfect self-morality. Most of these writers studied at Soochow University, resulting in a literary moment, “Soochow Department” reputation.