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鲁迅的文化形象问题,一直是一个聚讼纷纭的话题。瞿秋白的一篇《鲁迅杂感选集序言》,再加上毛泽东的《新民主主义论》,似乎是为鲁迅做了历史的定格:瞿秋白的论断是:“鲁迅从进化论进到阶级论,从绅士阶级的逆子贰臣进到无产阶级和劳动群众的真正的友人,以至于战士,他是经历了辛亥革命以前直到现在的四分之一世纪的战斗,从痛苦的经验和深刻的观察之中带着宝贵的革命传统到新的阵营里来的”;毛泽东的论断是:“鲁迅是中国文化革命的主将,他不但是伟大的文学家,而且是伟大的思
Lu Xun’s cultural image has always been a subject of divergent views. Qu Qiubai’s An Introduction to Lu Xun’s miscellaneous sentiments, together with Mao’s ”new-democratic theory,“ seems to make a historical fix for Lu Xun: Qu Qiubai’s thesis is: ”Lu Xun went from evolution to class theory and from gentleman The class adversary entered the true friends of the proletariat and the working masses, and even the fighters, who were fighting through the quarter-century up to the present day before the Revolution of 1911, took painful experience and profound observation Mao Zedong’s thesis is: "Lu Xun is the mastermind of the Chinese cultural revolution. He is not only a great writer, but also a great thinker