魏长生进京,是秦腔史上的一大盛事,为人们所乐道。乾隆四十四年(一七七九),魏长生以高超的技艺,轰动京师。“自魏长生以秦腔首倡于京都,其继之者如云。”(昭连《啸亭杂录》卷八)魏长生在北京播下了秦腔的种子,他的追随者和合作者如陈银官、蒋四儿、戈蕙官、杨五儿等,都是有才华的艺人。一场“秦腔热”笼罩了北京剧坛。魏长生等人演出的剧目,“多扮男女私情”,与封建纲常名教大相抵触。封建统治者视之为洪水猛兽,大加挞伐,强迫秦腔艺人入昆弋班子。乾隆四十七年秋, Wei Changsheng’s visit to Beijing is a major event in the history of the Shaanxi Opera, which is for people’s enjoyment. Forty-four years Qianlong (1779), Wei Changsheng with superb skills, sensational capital. “Since Wei Changsheng first introduced Qin Dynasty in Kyoto, his successor was like a cloud.” Wei Changsheng sowed the seeds of the Shaanxi opera in Beijing. His followers and collaborators such as Chen Yinzong , Jiang Sier, Ge Hui officer, Yang Wuer, etc., are talented artists. A “Qin hot” enveloped the Beijing theater. Wei Changsheng and others performed the repertoire, “play the men and women more affection”, and the feudal norm common denunciation. Feudal rulers regarded as a scourge, greatly devaluation, forced Qin chamber entertainer into the Kun Yi fleet. Forty-seven years of Qianlong autumn,