两宋刻工说略

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文化传播,端赖图籍。隋唐以前,书必手写,事既繁重,功难广远。迨至唐代雕版印刷术肇始以后,图书一经镂版,即可化身千百,广传后世。我国版刻,虽兴于唐,奠基于五代,然唐、五代刻书有限,且去今久远,屡遭厄难,传本几绝,故言古刻旧椠,世率以宋版为尊。 两宋刻书,臻于极盛,西起巴蜀,东达浙闽,举凡国子监、官府、书院、家塾、坊肆无不各竞所能,献其群力,于是雕版技艺日趋精熟,所刊之书,每多开版弘朗,字体遒劲,楮墨精莹,雠校精审,是以有之者,莫不视为至宝。 Cultural transmission, depends on the map. Before the Sui and Tang Dynasties, the book must be handwritten, both arduous and far-reaching.迨 to the Tang Dynasty engraving printing since the beginning, the book once the stencil, you can incarnate hundreds, wide spread later. Although engraved in the Tang Dynasty, the Tang Dynasty and the Five Dynasties have a limited number of engraved books. However, they have been extinct for centuries and are now many times extinct. Two Song engraved book, reaching extreme, west from Bashu, Zhejiang, Fujian, east, where the Imperial College, government, academies, private supplementary schools, all can compete, able to contribute, so carving version of the increasingly sophisticated skills, published by Book, more open version of Hong Long, the font is strong, ink Ying Ying Ying, Ling school fine review, there is one, can not be regarded as treasure.
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