采取了三年展模式的“六本木十字路”大展,延续以日本当代艺术实践为调研对象的方式,探讨创作者面对当下生存境遇的反思与回应,二十位艺术家/艺术团体透过以五个问题为论述主轴,议题之间交互共鸣,众声喧哗地回应日本进步论述下的现代性议题:自我与他人的关系,身体与认同;重访往昔;从独特视角发展出的另类叙事;人与物关系之探索;性别意识转换与未来。佐々瞬的录像计划《旗子在哪儿》,透过一系列的访谈与行为,重新讨论战后日本分子化的个人存在,以及资本社会劳动论述 Taking the “Roppongi Crossroads” exhibition featuring the triennial model and continuing with the practice of Japanese contemporary art as the research object, this paper explores the reflection and response of creators in the face of the current situation of existence. Twenty artists and art groups With five questions as its main theme, the topics resonate with each other and all the voices respond in noises to the modernity issues under Japan’s progressive discourse: the relationship between self and others, body and identity; revisiting the past; alternative narratives developed from a unique perspective ; The exploration of the relationship between human beings; the transformation of the gender consciousness and the future. With a series of interviews and behaviors, Zuo et al.’s video project “Where are the Flags?” Reexplained the individual existence of Japan’s post-war molecularization and the labor and capitalist social account