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本文田野调查研究的重点围绕山东省三大秧歌形态:商河县鼓子秧歌、烟台地区的海阳秧歌、青岛地区的胶州秧歌。以上三种秧歌都是我国民间舞教学的重要教材,也是山东省域内乃至整个北方区域较为典型的秧歌种类。本文通过揭示改革开放后,以上三大秧歌分别呈现出的仪式性转向现象,深入分析近年秧歌仪式性被简化的深层原因,进而探讨民间秧歌的仪式性沿革在现今乡村生活中的意义与功能。
The fieldwork of this article focuses on the three major Yangko forms in Shandong Province: Drum Yangko in Shanghe County, Haiyang Yangko in Yantai, and Jiaozhou Yangko in Qingdao. These three kinds of yangko dance are important teaching materials for folk dance in our country, and are also typical yangko types in Shandong Province and even the whole northern region. By revealing the ritual shift of the above three major yangko respectively after the reform and opening up, this paper analyzes in depth the deep reasons why the yangko ritual is simplified and then explores the meaning and function of ritual evolution of folk yangko in today’s rural life.