书法艺术是中国民族艺术的一门独特创造、是炎黄裔胄数千年光辉灿烂文化所培育出来的奇葩,是中华民族特征最鲜明的一门传统艺术,她反映着每个时代的生活、美学以及社会的精神面貌,至今仍有其强烈的生命力,为中国人民和世界人民所喜爱,她的足迹早已远越国外,走向世界。书法学又是一门亟待整理的学科,由于历史上书法理论的丰富积累,我们的责任在于使之体系化、条理化、科学化,在这方面,还要做很多研究性的工作,过去习惯上对于书法学上的体、家、派,概念比较含混,如体既可以欧、柳、颜、赵的书法为体,也可以真、草、篆、隶不同的形体为体既可以南帖北碑为派为家,也可以某几种书体或人物为派为家,如唐四家、宋四家直到清代还有成、刘、 Calligraphy is a unique creation of Chinese national art. It is a wonderful flower cultivated by thousands of years of Yanhuang people’s splendid culture. It is the most distinctive traditional art of the Chinese nation. She reflects the life and aesthetics of each era As well as the social outlook, still has its strong vitality. It is loved by the Chinese people and people all over the world. Her footsteps have already gone far beyond the world to the world. Calligraphy is an urgent subject to be sorted out. Due to the rich accumulation of calligraphy theory in history, it is our responsibility to make it systematized, systematized and scientifically oriented. In this respect, a great deal of research work has to be done, On the calligraphy on the body, home, school, the concept of more ambiguous, such as the body can both Europe, Liu, Yan, Zhao calligraphy as the body, but also true, grass, seal, Li different body as both Nanzhe North monument for the pie as a family, but also can be a number of books or figures for the pie as a family, such as the Tang four, Song four until the Qing Dynasty there, Liu,