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傅抱石作品的市场价值 中国画自80年代初进入拍卖市场以来,中国画的市场价值便成为美术界与收藏界关注的热点之一。而一个画家的形象及其影响,从此便与其作品的市场价值相关联了。虽然画家的作品在市场上的价位因时间(如80年代初、80年代末、90年代)、地域(如纽约、香港、北京、广州)及作品(如大幅、小幅、精品、应酬之作)的不同而经常出现变化,但总的来说,每个画家作品的市场价值,经过较长时间的“考验”,已逐渐稳定在某一标准或范围内。它不会象股市变化一样因各种偶然因素而大起大落。这是因为,决定某个画家作品的市场价值的,归根结蒂是其作品的艺术价值。例如近代中国画的一些最有影响的画家,他们的作品在艺术市场上一般都能保持较高的价位。在这方面,傅抱石可以算是比较典型的例子。 傅抱石的作品进入艺术市场是比较早的。新中国成立以前,傅抱石作品便已经是海内外收藏家热衷的目标了。到了60年
The Market Value of Fu Baoshi’s Works Since the Chinese painting entered the auction market in the early 1980s, the market value of Chinese painting has become one of the hot spots of concern to the fine arts and collectors. The image of an artist and its influence have thus been linked to the market value of his work. Although the price of the painter’s works in the market varies from time to time (eg, early 1980s, late 1980s, 1990s), geographical (such as New York, Hong Kong, Beijing and Guangzhou) and works (such as large, small, But in general, the market value of each artist’s work has gradually stabilized within a certain standard or range after a long period of “test”. It will not be the same as the stock market changes due to various contingent factors ups and downs. This is because the ultimate value of determining the market value of an artist’s work is the artistic value of its work. For example, some of the most influential painters of modern Chinese painting are generally able to maintain a high price in the art market. In this regard, Fu Baoshi can be regarded as a typical example. Fu Baoshi’s works into the art market is relatively early. Before the founding of New China, Fu Baoshi’s work was already a target of collectors both at home and abroad. To 60 years