一样板戏是一个在特殊年代出现的一种非常特殊的文艺品种。首先,样板戏的创作、改编过程有着非常明确的目的,那就是突出无产阶级英雄的高大形象。样板戏的英雄人物观并非空穴来风,而是有其历史的发展过程,是两种不同的文艺观念此长彼消的结果。从延安的“讲话”开始,文艺为谁服务的问题就作为一个具有重要政治意义的问题不断得到重申。文艺要为工农兵服务,当然就应该以工农兵为主角,为英雄人物。关于如何塑造工农兵形象始终存在两种不同的文艺观念。比如:关于《创业史》这部长篇小说的人物形象就有两种截然不同的观点。一种观点认为梁生宝这个人物形象是典型形象。因为他是社会主要推动力的代表。而另一种观点认为梁三老汉的形象最典型最丰满。因为他肩负着封建压抑的几千年精神重 The same drama is a very special literary variety that emerged in a special era. First of all, there is a very definite purpose in the process of making and arranging the model opera. That is to highlight the tall image of the proletarian hero. The heroic view of the model opera is not groundless, but has its historical development process, which is the result of two different ideas of literature and art. Starting from Yan’an’s “speech,” the issue of who serves literature and art is constantly reaffirmed as a question of great political significance. Literature and art should serve the workers, peasants and soldiers, of course, workers and peasants and soldiers should be the protagonist, a hero. There are always two different literary ideas about how to mold the image of workers, peasants and soldiers. For example: There are two completely different opinions about the character image of the novel of “History of Entrepreneurship.” A view that Liang Sheng Bao this character is a typical image. Because he is the representative of the main driving force in society. The other point of view that the image of the oldest and most typical Liang Liang most abundant. Because he shouldered the spirit of the feudal suppressed thousands of years