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“继父”形象在余华的作品中已然形成了一个典型形象群,无论是《在细雨中呼喊》中的王立强、《许三观卖血记》中的许三观、还是《兄弟》中的宋凡平、《第七天》中的杨光彪,这些“继父”们无一不以高大伟岸的形象出现在儿子眼中,且均与具有血缘关系的亲生父亲形成鲜明的对比。通过“继父现象”的呈现,直接表明余华笔下的血已无关宏旨,并且是对传统意义上的血缘权威的打破,是对传统父子伦理最为有效的反动。
“Stepfather ” image has formed a typical image group in Yu Hua’s works, no matter Wang Liqiang in Shout in the Drizzle, Xu San Guan in Xu Ji Guan Kuang Xue Ji, Song Fanping in “The Seventh Day” and Yang Guangbiao in “The Seventh Day” all appeared in the eyes of their sons with tall and stalwart images, all in sharp contrast with the blood-born biological father. The presentation of “stepfather phenomenon ” shows directly that the blood in Yu Hua’s writing has nothing to do with the macro purpose, and it is a break with the traditional bloodline authority and the most effective reaction to the traditional father-son ethics.