清代初期的中国绘画,艺术风格上在直承明末余绪的基础上,开始了新历史条件下的开拓、变异和发展,呈现出风格各异、流派林立、名家辈出的繁盛局面。而当时占据清初画坛统治地位的是强调传统笔墨的“四王吴恽”,即王时敏、王鉴、王(羽军)、王原祁、吴历和恽寿平,也就是所谓“清初六家”。六家中,四王和吴历皆擅山水,惟恽寿平除山水之外尤精花卉,他在继承前人技法的基础上,创造出有自己独特格调的“没骨花卉”,对明末清初的花鸟画坛有“起衰之功”,影响着有清一代画 In the early Qing Dynasty, Chinese painting and art style started to explore, change and develop under the new historical conditions on the basis of directing Yu Yu at the end of the Ming Dynasty, showing the prosperous situation of different styles, schools and famous artists. At that time, the dominant figure in the early Qing dynasty was the “Four Kingdoms” which emphasized the traditional brushwork. They were Wang Shimin, Wang Jian, Wang (Yu Jun), Wang Yuanqi, Wu Li and Zuo Shouping. Six of them, the four kings and Wu Li are good at landscapes, but Gao Shouping except for landscapes, especially fine flowers, he inherited the techniques of predecessors, based on the creation of his own unique style of “boneless flowers”, on the late Ming and early Qing Flowers and birds painting forum has “the power of decline”, affecting the Qing Dynasty painting