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诸宫调作为与南戏、元杂剧同时期的产物,在戏曲由缓慢发展到成熟的环节上起到了承上启下的关键作用。它以“曲”与“白”相间、“韵”与“散”结合的说唱形式,为戏曲摆脱了以歌舞为主的形式,奠定了“戏”与“曲”为主的结构基础,从而使戏曲在表演形式上发生了质的改变。同时,诸宫调的产生对之后戏曲的发展也产生了深远的影响,就故事体裁而言,很多后世戏曲剧本的取材都直接源于诸宫调,如元杂剧中的《拜月亭》、《西厢
As a product of the same period with South Opera and Yuanza Opera, Zhu Gong tune played a key role in the continuity of the opera from the slow development to the mature. It combines the form of rap with “Qu” and “Bai”, “Rhyme” and “San” for the opera to get rid of the main form of song and dance, “Song ” based on the structure of the foundation, so that drama in the performance of the form of a qualitative change. In the meantime, the birth of all kinds of Gong Gong also exerted a far-reaching influence on the development of the later Chinese operas. As far as the genre of the story is concerned, many later drama scripts are derived directly from various palaces such as “Bai Yue Pavilion”, "