18世纪维也纳古典主义时期,低音提琴演奏技巧日益成熟,低音提琴被纳入交响乐团编制,大量独奏作品问世,随之带来的演奏要求促使各种调律法产生和兴起。本文从古典乐派低音提琴调律方法论出发,阐释调律法的历史演变与发展,剖析维也纳调律法对演奏实践的重要影响,从而探究调律与西方古典音乐发展的相互作用。 In the 18th century Viennese Classicism, double bass performance skills matured. Bass was included in the symphony orchestra, a large number of solos works come out, with the resulting performance requirements prompted the emergence and rise of a variety of tuning methods. This essay starts with the classical method of playing the double bass tune, explains the historical evolution and development of the tonal law, and analyzes the important influence of the Vienna tune method on playing practice, so as to explore the interaction between the tune and western classical music development.