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《河南戏剧》1987年第三期发表的周传家的《梆子戏非君非圣的鲜明倾向》一文中说,激烈动荡的明清之际,兴起了一股反对程朱理学和心学的社会思潮,对“君为臣纲”的纲常核心提出了非议。正是在这种时代氛围里,梆子戏出现了非君非圣的鲜明倾向。这些戏大多突破了“权奸误国”的老套,破除了“君权神授”的迷信,常常把斗争的矛头直接指向皇权和封建专制制度。梆子戏塑造
In his article “Henan Drama”, published in the third issue of 1987, Zhou Chuan-jia’s article titled “The Descendants of Non-monarchs and Non-monarchs” said that on the occasion of the turbulent Ming and Qing Dynasties, there was an upsurge of social thought that opposed Cheng and Neo-Confucianism , Made a criticism of the core of the monarchy of “Jun Wei Cheng Gang”. It is in this climate of the times that there is a clear tendency for the non-monarchs and non-monks to appear in the sub-opera. Most of these plays have broken through the stereotype of “adultery and misconduct” and have dispel superstitions of “divine sovereignty,” often directing the spearhead of the struggle directly to the imperial power and the feudal autocratic system. Shuttlecock modeling