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歌剧音乐剧都是一门高度综合的舞台艺术,对演员的歌唱、表演和舞蹈技能的复合型要求全面,因此难度很大。但在艺术院校歌剧音乐剧演员现行培养体制和教学实践中,因过分受制于专业分工,无论是声乐教学还是戏剧或舞蹈教学,均普遍存在“单打一”现象,无法适应歌剧音乐剧对于表演人才的复合型要求。而在当代歌剧音乐剧表演舞台上出现一批“跨界融合”的复合型表演艺术家,也并非都是现行教学体制的必然产物。
Opera musicals are highly integrated stage arts that are extremely difficult to compliment the composer’s singing, acting and dancing skills. However, in the current training system and teaching practice of the opera musical opera performers in the art academies, the phenomenon of “singles one” is ubiquitous because of over-control of professional division of labor, whether in vocal music teaching or drama or dance teaching, and can not be adapted to the opera musical Compounding requirements for performing talent. However, in the performance stage of the contemporary opera musical, a batch of “cross-border integration” performing artists are not necessarily the products of the current teaching system.