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如今“动画”这个名词似乎已经很难再和“产业”分家了,大多数人忘了“动画”二字之后也可以加上一个艺术。而说到艺术动画世界,其格局也不再是美、日的天下了,世界动画百家争鸣,其中曾经的社会主义东欧国家像一个个明珠一样闪耀在欧洲艺术动画领域,例如:捷克,克罗地亚,波兰,爱沙尼亚等。爱沙尼亚这个并不十分被人熟悉的国家,似乎一直在艺术动画领域低调前行,皮特·帕恩就是一位足以令世界艺术动画界为之惊叹的艺术家。本文就是潜入东欧艺术动画这片深海,拨开爱沙尼亚这枚不起眼的贝壳,去看看皮特·帕恩这颗默默地发出璀璨光芒的珍珠。
Nowadays, the term “animation” seems to be hard to separate from “industry.” Most people forget to add an art after the word “animation.” When it comes to the world of art animation, the pattern is no longer beautiful in the United States and Japan. The world animation contends for a long time. One of the former socialist Eastern European countries shines like a jewel in the field of European art animation. For example, the Czech Republic, Croatia, Poland , Estonia and so on. Estonia, a less well-known nation, seems to have been a low profile forerunner in the field of art and animation, and Peter Parne is an artist who has been able to amaze the world of art and animation. This article is sneaking into the deep ocean of Eastern European art and animation and unplugging the humble seashell of Estonia to see Pete Parn, the pearly pearl that glitters silently.