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“实践存在论”美学是我国当代美学研究中出现的一类观点。其基本特点是:人的存在在其理论中具有突出的优先地位,“一般的人”和“人的一般本性”是其重要理论基础之一。马克思主义的实践范畴被明显泛化,审美主客体之间的认识关系被体验关系所排斥和否定。其实质在于:以主体性排斥物质性,这是我国20世纪70年代末以来个体主体性理论思潮的延续和向美学、文艺学学科纵深的渗透;以抽象化排斥具体化,这是一个时期以来资本积累逻辑在我国社会生活一定范围内的不断发展和浸润,在美学、文艺学领域所引发的一个必然结果;以感性体验排斥本质认识,这是20世纪90年代以来,由于西方后现代主义观念影响的日益强化,在我国审美或文艺领域出现的反本质、反理性的解构思潮的一种体现。
“Existentialism of Practice ” Aesthetics is a kind of view that appears in the contemporary aesthetics research of our country. Its basic characteristic is that the existence of human beings has its prominent priority in its theory. One of its important theoretical bases is “the general human being” and “the general nature of human beings”. The practical category of Marxism has been obviously generalized, and the cognitive relations between the subject and object of aesthetics have been excluded and negated by experiential relations. The essence lies in the subjectivity of subjectivity: This is the continuation of the thought trend of individual subjectivity in our country from the late 1970s and the penetration into the depth of the discipline of aesthetics and literature and art. It is a period since the exclusion of materialization The logic of capital accumulation in our country a certain range of social life continues to develop and infiltrate in the field of aesthetics, literature and art caused by a necessary result; to exclude the essence of the emotional experience of understanding, which is the 20th century, 90 years since the concept of Western postmodernism The increasingly intensified influence, and an embodiment of the anti-essential and anti-rational deconstruction thoughts emerging in the field of aesthetic or literary arts in our country.