华君武先生认为:“在我国,兼漫画、雕塑、陶艺、工艺于一身的仅刘雍一人;创作集讽刺幽默、装饰于一炉的又推刘雍。”此番评论的确将刘雍推上中国当代美术史研究的手术台,使他成为一个重要的个案。首先,刘雍作品涉及到中国美术传统怎样延续的问题。高度成熟和完善的“中国画”作为一种主干形态,几乎已完全等同于“中国美术”的概念。刘雍却没照“芥子园”之类的路标走向这个瓶颈。虽然失去了很多现成的台阶,但免于被千军万 Mr. Hua Junwu think: “In China, and comic, sculpture, pottery, craft in one of only Liu Yong; creation set satirical humor, decorated in a furnace and push Liu Yong.” This review indeed Liu Yong pushed the operating table of the study of Chinese contemporary art history to make him an important case. First of all, Liu Yong’s work involves the continuation of the Chinese art tradition. The highly mature and perfect “Chinese painting” as a trunk form almost equals the concept of “Chinese art”. Liu Yong but no photos “mustard Park ” and the like to the bottleneck. Although it has lost a lot of ready-made steps, but free from being brave troops