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历代以来,“境界”之说大多是以主客体关系为依据而作为至高的审美标准得以广泛应用的。本文从弗罗伊德的精神分析的人格结构理论(自我、本我、超我)出发,对中国古代诗词“境界”范畴提出了自我的看法:中国古代诗词“境界”应该包括如下三个层次:自我之境、本我之境和超我之境。并且文章还对中国古代诗词三个层次“境界”产生的原因作了文化上的探讨和溯源。
Since ancient times, “realm” has been widely applied as the supreme aesthetic standard on the basis of the relationship between subject and object. Based on the theory of personality structure of Freud ’s psychoanalysis (self, self and super ego), this paper proposes a self - perspective on the category of “realm” in ancient Chinese poetry. The ancient Chinese poem “realm” should include the following three levels: self The environment, the realm of my self and the realm of my self And the article also makes a cultural exploration and trace to the causes of the “realm” of the three levels of ancient Chinese poetry.