孟加拉国对易卜生的接受与性别问题和不断增长的社会性别意识有关,在对易卜生戏剧的讨论中,我们必须把焦点放在关键的性别问题上,如男性、女性在教育、工作和经济等方面存在差别的问题、妇女代表的问题、宗教问题以及如何通过剧本的改编来创造孟加拉国本土文化语境下的易卜生主义。 The acceptance of Ibsen in Bangladesh is related to gender issues and the growing gender awareness. In the discussion of Ibsen’s drama, we must focus on the key gender issues, such as men and women in education and work Economy and other aspects of the problem, the issue of women’s representatives, religious issues and how to adapt the script to create Ibn Igarashi under local cultural context in Bangladesh.