上上个世纪的老尼采,用《偶像的黄昏》把诸多偶像拉下神坛;历史的吊诡在于,他自己也变成了偶像。人们一直需要偶像,无论内心还是行动;只不过一百多年后,偶像不再象征牢不可破的神性准则和道德律令;偶像是用来追捧、欢呼、比较、超越的,当然,还有随时随地的唾弃和遗忘;社会达尔文主义的深入人心,加上大众传媒的“造星”特质,让偶像如同雨后 Nietzsche, a man of the last century, pulled many idols down with the idol’s twilight; the paradox of history was that he himself became an idol. People have always wanted idols, both inside and out; only after a hundred years have passed since idols no longer symbolize unbreakable divine norms and moral decrees; idols are sought after, cheered, compared, transcended, and of course, anytime, anywhere Spurned and forgotten; the deep popular social Darwinism, coupled with the mass media “making star ” traits, so idol as rain