论文部分内容阅读
电影自身的时空关系从电影的诞生至今,一直成为电影艺术家最关心的问题。虽然电影同音乐一样都是时间艺术,但音乐的时间流动是无形的,而电影的时间流动却因为空间而变成了有形。所以说电影这种有形的空间最终与电影镜头成为一个不可分割的统一体。本文主要是通过对电影镜头的形式分析,进而对电影的空间进行研究。
The film’s own relationship between space and time has been a major concern for movie artists since the birth of the film. Although movies are the same as music in time art, the flow of music is invisible, and the flow of time in the movie becomes tangible due to space. So the tangible space of the movie ends up as an integral part of the cinema scene. This article is mainly through the analysis of the form of the movie camera, and thus the study of the film’s space.