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清代诗学以王士礻真 ( 1 634- 1 71 1 )“神韵说”、沈德潜 ( 1 673- 1 769)“格调说”、袁枚“性灵说” ( 1 71 6- 1 798)和翁方纲“肌理说”四者最负盛名。学术界对前三说之研究成果较多较细 ,对后一说之研究 ,则尚欠细致与深入。本文以北京国家图书馆分馆藏本《杜诗附记》为主 ,并结合《石洲诗话》 ,对翁方纲的杜诗学作一番专门的研究。包括翁方纲研读杜诗的经过、对前人注杜评杜的评价、本人的评杜态度、评杜方法、评析杜诗实例 ,以及翁氏杜诗学在杜诗学史上的理论意义等项内容。
The poetics of Qing dynasty is based on Wang Shizhen’s realism (1634-171), Shen Yun (Shen Yun), Shen Deqian (1673-1769), Yuan Mei’s Spiritual Spiritualism (71 71 6-98) and Weng Fanggang’s texture Said “the four most prestigious. The academic research results on the first three are more and more elaborate, and the research on the latter one is still not meticulous and in-depth. This dissertation mainly focuses on Du Fu Fu Ji of Beijing National Library, combined with ”Shi Zhou Poetry", and makes a special study of Weng Fanggang’s Du Poetry. Including Weng Fanggang’s study of Du Fu’s poetry, comments on Du’s comments on his predecessors, his own comments on Du’s attitude, his evaluation of Du’s method, his analysis of Du Fu’s examples, and the theoretical significance of Ursula Du’s poetry in Du Shi’s school of history.