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1953年19岁的胡天泉,从一个农民,一个在当地名声远扬的吹笙手,变成了原公安军文工团的一名演奏员。从此,他告别了家乡,开始了他从农民到将军的军旅艺术生涯。 胡天泉的艺术人生之路以及他所取得的高度艺术成就,对于今天从事民族音乐工作的人们是一个激励,更是一种启示。他的艺术实践活动可归纳为三个方面:笙的演奏、乐器的改革和作品的创作。 其一,在不断涌现的新作品中创作了30余种独具特色的吹奏技巧。其二,自20世纪50年代起,对笙的传统结构进行了一系列的改革和创新。其三,先后创作、整理出大量的笙独奏、协奏曲目。 今天的胡天泉是中国民族管弦乐协会常务理事、笙专业委员会会长、山东音乐家协会理事、前卫歌舞团艺术指导,他的中国音乐界无愧于“民族管乐大师”的声誉,而他说大师是别人命名的,自己只是一名普通的演奏员。几十年来保持着纯朴本色的胡天泉,舞台上是位不折不扣的将军,生活中是位视笙如生命的慈祥和蔼的老人,笙已经成为他生活的全部。
In 1953, Hu Tianquan, 19, from a farmer, a well-known blower in the area, became a performer of the former Public Security Corps. Since then, he bid farewell to his hometown, began his military career from peasant to general military career. Hu’s art life and the high artistic achievements he has made are an inspiration and inspiration to those who work on national music today. His artistic practice can be summarized into three aspects: playing Sheng, instrument reform and writing. First, in the emerging new works created more than 30 kinds of unique blowing skills. Second, since the 1950s, a series of reforms and innovations have been carried out on the traditional structure of Sheng. Third, one after another creative, finishing a large number of Sheng solo, Concerto. Today, Hu Tianquan is the standing director of the China National Orchestra Association, chairman of the Sheng Professional Committee, director of the Shandong Musicians Association, and avant-garde artist for the Song and Dance Ensemble. His Chinese music industry is worthy of the reputation of “a master of folk music.” Master is named after others, he is just an ordinary player. Hu Tien-chuen, who has maintained his innocence for decades, is an out-and-out general on stage. In his life, he is a benevolent and kind-hearted old man who lives and falls asleep. Sheng has become all of his life.