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本文主要围绕宗炳的《画山水序》山水画本体论来展开分析。首先了解作者所在时代的基本背景,通过其特定时期的主流思想:儒、释、道三个方面来阐释,提出宗炳《画山水序》中的“道”。其次对作者宗炳的平生进行剖析,提炼出山水画本体论的依据。再次,从“质”、“趣”、“灵”、“理”、“神”几个方面对《画山水序》水水画本体论进行分析。最后,对山水画本体论进行总结,以为都是以“道”的哲学为理论基础来阐释山水画本体论。
This article mainly analyzes Zong Bing’s ontology of painting landscapes. First of all, we should understand the basic background of the author’s time and explain it through the mainstream thoughts in specific periods: Confucianism, Buddhism and Taoism. We propose Zao Bing’s Daoism in the painting landscape. Secondly, it analyzes the life of Zong Bing and extracts the basis of ontology of landscape painting. Thirdly, this paper analyzes the ontology of water and landscape painting of “landscape painting” from several aspects such as quality, love, spirituality, righteousness and god. At last, I summarize the ontology of landscape painting, thinking that all of them are based on the philosophy of “Tao” as the theoretical basis to explain the ontology of landscape painting.