随后现代主义,解构主义的兴起,翻译的“创造性叛逆”被肯定,翻译不再沿袭“作者中心”与“原文中心”的传统思路,而是转向以译者、译文为中心,将翻译问题语境化。本文从中国古诗《木兰辞》与美国迪士尼动画《花木兰》两者对比中,讨论东西方文化在翻译过程中的和谐碰撞。 Then the rise of modernism and deconstruction, the translation of “creative rebellion” was affirmed, the translation no longer followed the traditional ideas of “author center” and “original center”, but turned to the translator, the translation was Center, translating translation issues into context. This article discusses the harmony and collision between Eastern and Western cultures in the process of translation from the comparison between the Chinese ancient poem Mulan Ci and the American Disney animation Mulan.