对抗性问题(一)与传统表现媒介和“舞台”的对抗 现代主义艺术从形、色上一步步地攻破了传统艺术坚不可摧的城堡,反艺术的现成品被冠以艺术的称号,艺术领域内实物的介入成为一大突破——废品集合成为新的雕塑,实物拼贴使绘画由平面表现三维空间走向实体三维空间。静止物的表现力似乎还不能满足艺术家的要求。人的身体,作为特殊的实物介入,成为表述创作者思想的最灵活多变的“笔”或最生动的活动雕塑。“艺术家作为独特的表演者从身体或象征意义上牵扯到作品上去,或者实际上成为艺术作品。”行为艺术家们试图通过人,这一新的表现媒介的活动激发观者的一切感官(事实上,这种用平常人的活动揭示具有一定严肃性、深刻性的艺术思想的方式,对观者固有的 Confrontation (1) Confrontation with Traditional Performance Media and “Stage” Modernist art breaks away the impenetrable castle of traditional art step by step from form and color, and the anti-art finished goods are given the title of art, the art field Physical intervention into a major breakthrough - a collection of scrap pieces into a new sculpture, in-kind collage so that the painting from the three-dimensional space performance to the physical three-dimensional space. The expressiveness of stillness does not seem to satisfy the artist’s request. The human body, as a special physical intervention, becomes the most flexible and “pen” or most vivid activity sculpture that expresses the ideas of creators. “Artists are physically or symbolically involved as works by unique artists, or actually become works of art.” Performance artists try to excite the viewer’s senses through the actions of man and this new medium of expression (in fact , This ordinary people’s activities to reveal a certain degree of seriousness, deep nature of the art of thinking, inherent to the viewer