我出生于福建莆田雕刻世家,经历了莆田雕刻从民间工艺的实用品到专业佛像产业化的发展过程。看到莆田工艺雕刻人才辈出,佛像精品不断涌现,由衷感到高兴。但作为行内一员,又同时感到困惑和担忧。老一辈艺人在创作时,总走不出传统佛像神像的框架,人物题材略显重复,缺乏新意,能继承传统却少有创新,作品时代感不强,而且传统流派里一些十分可取的风格和技法也没有在现代作品中得到 I was born in Putian, Fujian, carved family, has experienced Putian carved from the practical arts and crafts to the professional industrialization of Buddha image of the development process. See Putian crafts engraving talent, Buddha constantly emerging boutique, sincerely feel happy. However, as a member of the bank, I am also confused and worried. The artists of the older generation always can not get out of the frame of the statues of the traditional Buddha statues. The subjects of the characters are slightly repetitive, lacking in new ideas, inheriting the tradition but with few innovations, the works are not of a contemporary sense, and some very desirable styles in the traditional schools And techniques are not available in modern works