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川戏之名始见于明代陈铎的散曲《嘲川戏》和《朝天子·川戏》,被称为“乐王”的陈铎瞧不起川戏,在《嘲川戏》中他以嘲讽的口吻批评了川戏唱腔的不纯正、对内容的随意篡改以及世俗化倾向。川戏之名沿用至清代,但并非今日之川剧,今天所说的川剧是指昆腔、高腔、胡琴、弹戏、灯调等五腔共和的四川
The name of Chuan opera began in San Qu’s opera “Laughing Chuan Opera” and “Chaotianzi Chuan Opera” in the Ming Dynasty. Chen Duo, who was called “Le Wang”, looked down on Chuan Opera. In “Laughing Chuan Opera” Taunts tone criticized the chorus opera impure, arbitrary content tampering and secularization. The name of Chuan opera is used until the Qing Dynasty, but not today’s Sichuan opera, Sichuan opera today refers to the Kunqu, Gaoqiang, Huqin, plays, lamps and other five-chamber Republic of Sichuan