中国书画鉴藏的历史很久,有关真伪问题的讨论在历代鉴藏家以及学者中从未中断过。由于历代书画遗存主要集中在宫廷、豪门以及文人士大夫之间更迭流转,能够接触到原迹的人本来就局限在极为有限的范围内,而能够将历代流传作品联系起来进行比较研究的条件就更为有限了,因此,历代题跋、著录、笔记等各种形式的文献记载就产生了更为广泛的传播影响力。流转过程漫长而又复杂,在逐渐累积 The history of Chinese painting and calligraphy collection has a long history. Discussions on authenticity have never stopped before among collectors and scholars in history. As the legacy of the ancient calligraphy and painting mainly concentrated in the court, wealthy and literati physician change between the circulation of people who can reach the original trace had been limited to a very limited range, and can be linked to the ancient works of popular comparative conditions more As a result, all kinds of documents such as inscriptions, records, notes and other records in the past have had a broader influence on communication. The circulation process is long and complex, gradually accumulating