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在第七届中国映山红民间戏剧节上获得好评的平顶山豫剧团著名演员刘晓燕,载誉而归。向乡亲们献上她的参赛剧目《绣花女传奇》和《长孙皇后》。演出场地是在远郊矿区的一座极简陋礼堂,虽说开演时问尚早,但场内已座无虚席,走廊过道也挤满了人。观众是工人、农民,扶老携幼,一片嘈杂。如此演出环境,再加上极差的声光设备,使我对这次演出效果担忧。我和团里同志交谈,他们说这样的演出条件算是上乘,他们每年二百场左右的演出,百分之九十的场次是在更偏僻的厂矿和农村。这使我更加疑惑,在这样观众层面中演出和赶场,可能出现的技艺粗糙,表演过火,会不会在刘晓
Liu Xiaoyan, a famous performer at the Pingdingshan Opera Troupe which was well received at the 7th China Azalean Folk Theater Festival, has a good reputation. To the folks who submitted her entry repertoire “Embroidery legend” and “grandchildren.” The venue is a humble auditorium in the outskirts of the mining area. Although the performance of the performance is too early, the venue is packed and the corridor aisle full of people. Audiences are workers, peasants, helping young and old, a noisy. This performance environment, coupled with very poor sound and light equipment, so I am concerned about the performance of the show. I talked with my regiment comrades. They said that the performance conditions are excellent. They perform about 200 performances each year, and 90% of the performances are in more remote factories, mines and rural areas. This makes me even more puzzled, in such a spectator-level performance and hurry-up, the rough art may appear, performing too far, will not Liu