唱片,作为早期有声出版物,为戏曲声腔在一定时期内唯一可资征信的原始材料。在研究者,固为不可或缺的直接证据。即一般欣赏者,亦不乏因以入门,终于得窥堂奥者。然而通常的情形是,演员唱片数量的丰富,在为该演员的艺术研究提供便利的同时,却为唱片自身的搜集、整理并考订增添了? The record, as an early sound publication, is the only original source of evidence for a certain period of time in the opera. In the researcher, solid direct evidence of indispensability. That is, the general appreciation, but also no lack of entry, finally have to look at the Austrian. However, the usual situation is that while the number of performers’ recordings is abundant, it provides the artists with the convenience of collecting and collecting their own records.