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这几年动漫画产业这个词开始频频地 出现于内地媒体。可以这样说:“动漫”这 个东西自从它被引进中国后第一天起就是一 个巨大的怪胎!我们完全地将日本式的漫画 作品片面地而又完全彻底地投入到了“动漫” 这个大箩筐中,而经常性地将其他漫画有意 无意地人为排斥了! 我们内地漫画界应该是到了扭转“动 漫”这个概念的时候了,不能光靠这类漫画 来支撑中国内地的动漫大厦。 波普文化所具有的速食性、流行性、 消费性、大众性和颠覆性,都是作为大众 文化的卡通漫画所具有的。所以在这里我 们不难得出这样一个结论:作为大众消费 文化的卡通漫画,它同样具有艺术创作的 价值和作为艺术家个人观念的表达载体。 一旦我们仔细观察一下就会察觉到:
In recent years, the word animation industry began to appear frequently in the Mainland media. It can be said that “animation” has been a huge freak since the first day it was introduced to China! We have completely and completely devoted Japanese comic works to the “Anime” basket We often artificially exclusion of other comic strips intentionally or unintentionally! The time has come for us in our inland comic book industry to reverse the concept of “anime,” and we can not rely solely on such comic strips to support the anime buildings in mainland China. Pop culture has the fast-food, popular, consumer, popular and disruptive, are as popular culture cartoons have. Therefore, it is not hard to come to the conclusion that as a cartoon of mass consumption culture, it also has the value of artistic creation and an expression vector as an artist’s personal concept. As soon as we look closely, we notice that