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中世纪后的15世纪是马萨乔的现实主义获得普遍认同的时代,佛罗伦萨的艺术家们也纷纷将透视学与解剖学运用于画面之中。在这样的一种人文环境下,波提切利的作品却呈现出背离现实主义的风格。本文以他独特的艺术形式入手,从他运用的艺术语言展开论述,并着眼于他的代表作品《春》语言表现的独特性,从观看者视觉与心理上获得的感受以及他所处时代背景和思想,分析波提切利绘画特点
The 15th century after the Middle Ages was a time when Massaccio’s realism gained universal acceptance. The Florentine artists also applied perspectives and anatomy to the pictures. In such a kind of human environment, Botticelli’s work presents a departure from the realism style. Starting with his unique artistic form, this essay begins with an exposition of his artistic language, focusing on the uniqueness of his representative work “Spring”, the visual and psychological perception of the viewer, the background of his time and Thought, analysis of Botticelli paintings