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建国以来,反映中国人民解放军的斗争生活,一直是电影创作者瞩目的重大题材。文化大革命前,在党的文艺思想的正确指引下,虽然拍摄过《钢铁战士》、《战火中的青春》、《小兵张嘎》、《兵临城下》、《霓虹灯下的哨兵》、《南征北战》、《董存瑞》、《上甘岭》、《英雄儿女》和《红色娘子军》等优秀影片,但由于“左”的思潮不时干扰,反映人民战争和部队生活的影片,无论在题材的广泛性和形式的多样化方面,都远不能满足时代和人民的要求。文化大革命中,由于林彪、“四人帮”实行封建法西斯文化专制主义,贯彻了一条极“左”的文艺路线,就更不可能有这方面
Since the founding of the People’s Republic of China, reflecting the struggle of the Chinese People’s Liberation Army has always been a major theme that has attracted the attention of film creators. Before the Cultural Revolution, under the correct guidance of the party’s art and literature and ideology, although shots such as “Iron Warriors”, “Youth in War”, “Little Soldiers Zhang Ga”, “Binglin City”, “Sentinels Under the Neon Lights,” “ ”,“ Dong Cunrui ”,“ Shangganling ”,“ Heroes and Children ”and“ Red Detachment of Women ”and other excellent films. However, due to the“ Left ”ideological interference from time to time, reflecting the people’s war and troops in the film, both in the theme of the breadth and form Are far from meeting the requirements of the times and the people. During the Cultural Revolution, it was even more impossible to implement this line because of the feudal fascist cultural despotism practiced by Lin Biao and the Gang of Four and a “leftist” line of literature and art.